Flower Island by Song Il-gon

Category: Non-English

Prior to this Il-gon had only be making short films, as a result this film can be separated into 3 distinct halves. There's a clear line between the three sections.

The film follows the lives of 3 women, each with their own problems to bear. The first is a 17 year old girl who at the start of the film kills her own child by washing it down the toilet, we later learn she's a rape victim. The second is a renowned Opera singer who must undergo a surgery to remove the malignant tumour, the only catch - they have to remove her tongue. The third woman is a married woman with a young daughter who prostitutes herself to purchase a piano for the child. Each of them try to find solace in the "Flower Island" a mystical place where all your sorrows go away.

The first half describes them, the second half introduces themselves to each other & the last part sees their journey to the island itself.

The cinematography is almost flawless, shot entirely on a hand held camera and possibly a DV one at that. The message intended by the director is brought out not just by the dialogues but by pro longed silences, strong background music, facial expressions and of course the situations. Blitzing past into their minds at the drop of a hat and back into reality as it were for them. Il-gon is completely in control of this film. The cinematography at times even seems very unlike South Korean cinema, there's nothing pretty about the characters' problems, it's real, it's gritty at times and he doesn't relent. You have to endure it as the protagonists do.

The film is a little too long at almost 2 hours in length and this is something where the films narrative isn't as tight. Made in 2001, there's also one of the rare occasions where South Korean cinema deals with the topic of homosexuals (Gays only). It's touching in its execution and definitely while their problems may seem so deliberate they aren't, the problems these women face are what they are.

Recommendation level: 4/5 - It's not perfect but definitely one of the better Asian cinema films to watch. Some of the concepts & style used seem similar to Tony Takitani.